![]() Edited by senior analyst William Burr, U.S. The National Security Archive announces the publication of a collection of more than 2,200 declassified documents on the nuclear weapons policies of the Nixon and Ford administrations. With his support, the Archive gained access to the documents at the National Archive and has followed up with an appeal for the excised information New U.S. The SAC Atomic Weapons Requirement Study resided in one of the files. In October 2014, long after the publication of Dobbs’ book One Minute to Midnight (2008), the National Archives informed him that several files of SAC documents had been declassified. The request, for specific files and histories in the records of the Strategic Air Command (RG 342), was for Dobbs’ research on the Cuban Missile Crisis. In 2006 journalist Michael Dobbs filed the Mandatory Declassification Review request to the National Archives and Records Administration that prompted the release of the SAC Atomic Weapons Requirements Study for 1959. “Fallout: US Plans to Nuke the World Revealed by Cold War Era Target List”Ģ3 December 2015 How the SAC Study Was Released ![]() “US Intended to Destroy Civilian Populations in Enemy Cities during Cold War According to Declassified Target List” "The Soviet cities that America would have wiped off the map in a nuclear war: Newly declassified target list shows how US planned to target capitals purely to kill their populations” “Declassified: How the Pentagon planned to nuke the Soviet Union and China during the Cold War” ![]() Nuclear Target List Offers Chilling Insight” Interactive Visualizations based on Complete List of Urban Targets from SAC Study prepared byĪlex Wellerstein, Stevens Institute of Technology World-wide Press Coverage of the Nuclear Vault Posting on the SAC Target Lists
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It certainly is alive.Īs in one of Phish's jams, the voices – placed meticulously in Blake's binaural mix – interact naturally, each little bit reacting fluidly, as if in real-time, to something else. ![]() There is always some creative dialogue occurring. Page McConnell’s organs and pianos overlap ("Army of One"), Trey Anastasio’s guitar bursts from the corners ("Maggie’s Revenge"), layers of quiet vocals whisper impossibly ("Scents and Subtle Sounds (intro)"). Especially under headphones, Undermind is a busy, busy album. ![]() The same way that Alun Owen’s script for A Hard Day’s Night perfectly captured (or perhaps contrived) the spontaneity of The Beatles’ personalities in an artificial setting, Blake’s arrangements translate Phish’s unique complementary style of improvisation into a rich production value. And, for that, Blake performed a minor miracle: he created a record perfectly consistent with both Phish’s storied career and modern sonic values. What stands for, say, ambient in the Phish universe is very different than the kind of stuff one would find in the ambient section of a record store.įor Undermind, their 10th, newest, and final studio album, the band put themselves in the hands of producer Tchad Blake. In many ways, Phish has created their own rules. But, by dropping the band in playlists with other acts so that one hears them side-by-side with other acts, it also allows a nice perspective on the band considered within the broader rock scene. Used to cull random tracks from within Phish's body of work, it gives a surprisingly focused overview of their career, skipping with randomized abandon between the band's various minor epochs – dense compositional mouse traps, atonal horn charts, simple folk songs, arty novelty numbers, arena rock blow-outs, and on and on and on – while retaining a sense of surprise. An ideal way to listen to Phish, I've found, is by employing the shuffle feature in iTunes. ![]() ![]() Business owners lived with that for so long they didn't realize the potential of these little buildings sitting right there." Soyka, who moved here from New York in 1985, said the area looked "like the end of the world, with crack addicts hiding and sleeping in the abandoned buildings. Lincoln Road Mall was mostly deserted save for a busy Woolworth's and some artists' workshops. Parking was easy because so few cars came through the area, and the few nice restaurants catered mainly to older residents. ![]() Cocaine cowboys held shootouts in the streets a crack epidemic fueled muggings and purse-snatchings. "Compared to today, it was like a ghost town," said Dennis Wilhelm, who works for an architectural firm and is a member of the Miami Design Preservation League.Ĭrime exploded in the Miami area in the early 1980s. Tourist attractions elsewhere - like Disney World - sapped Miami Beach's momentum, wealthy residents moved to condominiums farther north, and South Beach began to founder. Barron Stofik, a former Miami Beach resident and author of "Saving South Beach."īut by the late 1970s, things deteriorated. "It was just a nice, pleasant, middle-class kind of neighborhood," said M. The most prominent eateries were delicatessens, and evening entertainment consisted of hotel cabaret shows. Then, in the 1960s, it began attracting more retirees from the Northeast. "We used to be proud to say we live in Casablanca - people think it's dangerous but we're OK because we know the way around."Ī few decades earlier, in the 1940s and '50s, Miami Beach was a popular - even high-end - resort. "It felt like pioneer country," said Mark Soyka, who opened News Cafe on Ocean Drive in 1988. Designers were just discovering the area as a backdrop for high fashion, and a party scene was emerging as club impresarios and restaurateurs relocated from the Northeast. But the film is bound to remind some viewers that South Beach was a very different place when the original "Miami Vice" was on the air.īack then, as detectives Crockett and Tubbs zipped their Ferrari along Ocean Drive or drove speedboats in Biscayne Bay, the restoration of the local Art Deco district had barely begun. The new "Miami Vice" movie, which opened July 28, is set in the present, not the past. Today, South Beach is known for trendy restaurants and nightclubs, brightly painted hotels packed with tourists, upscale fashion and expensive restaurants. The TV show's popularity from 1984 to 1989 coincided with the early days of the rebirth of Miami Beach's southern end - and helped it along. Forlorn hotels stood mostly vacant, and a popular outdoor mall was reduced to a desolate strip where the homeless slept. South Beach was once a place where crime kept residents indoors at night and retirees lined porches. ![]() So when this huge toy comes to the site, everyone is chomping at the bit to get in the operator’s seat. This one piece of machinery can make a world of difference in the amount of gold they extract from the land around them. So these Gold Rush boys have some power behind them now. Speaking of dirt, the astronomically huge bucket can hold up to 8.5 tons of dirt. It’s at the ready to move all the dirt harboring those coveted gold nuggets. For others who are into specs, this Volvo 750 excavator comes equipped with 500 horsepower. So on Friday’s episode, fans get to see Parker deliver the Volvo Excavator to his crew on Gold Rush.įor those who know nothing about horsepower or the size load Parker’s new toy can move, let’s just say it’s a game-changer to their work. With a price tag somewhere in the half-a-million-dollar ballpark, this is one serious piece of machinery. So it appears Parker Schnabel upped the game when he rolls into the Gold Rush camp on a huge excavator. Rolling Tons of Excitement Into Schnabel Camp So age doesn’t get in the way of this third-generation gold miner knowing his way around the mining site. Needless to say, this leaves him with a lot on his plate.īut Parker’s grandfather took him under his wing when he was just a mere lad. So not only does he look out for their claim as the owner, but he also wears the hat of foreman lately. Parker Schnabel inherited grandpa’s Gold Rush mining operation. Back in 2016, the 96-year-old elder Schnabel died. The 25-year-old Parker Schnabel is young for the two Gold Rush hats he attempts to wear since the death of his much-loved grandfather, John Schnabel. Once that gets cut-off, this section of the earth gets to keep its gold. Parker has only got one-year before his water contract runs out with the state. So without saying anything, the head of the Gold Rush team invested some money so they could beat the clock. In order to get all the gold nestled in the dirt on their site into their bank accounts, they need to move quickly. With the end of their water contract looming, time is of the essence. ![]() It seems Parker took a good look at the Gold Rush future last spring and decided to get proactive. Gold Rush: Parker Schnabel Brings Out the Big Guns No, you got a crew of adults hyped-up to go to work, thanks to Parker Schnabel’s new addition. But this isn’t the anticipation of kids waiting to play with their new train set. Eyes light up resembling children when first seeing Santa’s offerings under the tree. The scene around the Gold Rush site starts to look like kids on Christmas morning. This new episode rolls out on the Discovery Channel Friday night with some happy miners ready to tackle the job. But it looks like the Gold Rush cast is too busy drooling over what Parker brings with him for that warning to fully sink in. Gold Rush star Parker Schnabel puts on his big boy hat to deliver a warning to his crew as he rolls into the mining site on Friday’s episode. ![]() It is somewhat dismaying, then, that the reviewers seem so pessimistic, even frustrated, by what these two books suggest about dialogue between historians and political scientists. Likewise, Mitzen joins the rank of theorists such as John Ikenberry in carefully situating her theoretical innovations within the existing nineteenth century European diplomatic history. Jarrett is no different, engaging with levels-of-analysis debates and regime theory throughout his account. Historians of the Congress and Concert system, including Paul Schroeder, Enno Kraehe, and of course Charles Webster, consciously and carefully used the terms of international relations theory and law to build their masterful works. There is perhaps no better substantive ground on which these two disciplines should meet. Rather than summarize the exceptional commentaries provided in this roundtable, this introduction will focus on a specific theme, namely, what is that these two works say about the ongoing dialogue between international relations scholars on the one hand and historians on the other. It is a work, as Brian Vick argues, that provides an “insightful and potentially important contribution to international relations theory, with policy implications for diplomatic practice in an era of aspiring global governance.” As the reviewers here note, Jarrett is a gifted storyteller, and he deftly weaves together meticulous archival research in a book that Charles Maier argues will “become our generation’s authoritative study of the peace settlements of 1814-1815.” An international relations theorist, Mitzen takes the Congress as an opportunity to challenge and revamp scholars’ approach to “global governance.” Here, she focuses on how the “forums” of the Congress-the public institutional space in which the European ministers met-ultimately allowed, and sometimes forced, statesmen to pursue their collective intentions, even when their more parochial interests would suggest otherwise. Jarrett’s work offers a spectacular narrative of the origins and operation of the Congress system, and is breathtaking in its scope and in its depth. Scholars in both these fields are thus fortunate to have two outstanding new contributions to this already venerable scholarship. The Congress system has long captured the attention of historians and political scientists alike. © Copyright 2015This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Author’s Response by Jennifer Mitzen, Ohio State University.Author’s Response by Mark Jarrett, Independent Historian. ![]() Review by Matthew Rendall, University of Nottingham.Review by Charles Maier, Harvard University.Review by George Lawson, London School of Economics and Political Science (LSE).: PDF URL (best option for printing and offline use): Published by H-Diplo/ISSF on 30 January 2015 Chicago: University of Chicago Press, 2013. Power in Concert: The Nineteenth Century Origins of Global Governance. The Congress of Vienna and Its Legacy: War and Great Power Diplomacy after Napoleon. H-Diplo/ISSF Editors: James McAllister, Thomas Maddux and Diane Labrosse H-Diplo/ISSF Roundtable and Web/Production Editor: George Fujii 11 (2015)Ī production of H-Diplo with the journals Security Studies, International Security, Journal of Strategic Studies, and the International Studies Association’s Security Studies Section (ISSS). ![]() H- Diplo | ISSF Roundtable, Volume VII, No. ![]() And more importantly, at Vienna these powers laid the groundwork for what Mark Jarrett calls “an audacious experiment in international cooperation” (205): a congress system, in which powers would engage in “habitual confidential and free intercourse between the Ministers of the Great Powers as a body” in hope that “many pretensions might be modified, asperities removed, and causes of irritation anticipated and met” (205). It was the great powers, the “Pentarchy” of Austria, Britain, France, Prussia, and Russia, who dictated the territorial and political agreements that formed the core of a European grand settlement. From September of 1814 to June of 1815, over 200 representatives met in the Austrian capital to rebuild the foundations of European diplomacy, which lay in shambles after over twenty years of war. This year marks the bicentennial anniversary of the Congress of Vienna. We ship many orders every day, and the carriers usually don't notify us of delays or damage, so we ask that you track your packages and promptly let us know if there is a delay. We do our best to securely package your order, and you will promptly receive an e-mail with tracking information when your order is packed for shipment. 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![]() Logan Sandrock Baird, Design Services Lead at Campaign Monitor, agrees, adding that advances in email design have made it easier for brands to use AI-driven content. “We are still far off for AI-designed emails,” says Mike Nelson, Co-Founder of Really Good Emails, “but software will play a larger part of autonomously inserting content into already designed emails with specific rules developed by senders.” Subject line recommendations based on past reactions to various words and word patterns are also a significant part of the trend of more machine-driven email. 1 email design trend-personalization-because machine learning makes it possible to individually tailor send times, product suggestions, and other email elements at unprecedented scale. ![]() This growing trend is part of what’s propelling the industry’s No. Allowing AI and machine learning systems to determine more email content In this 4-page whitepaper, email leaders get data on the adoption of interactive emails and the most popular interactivity, examples of interactive emails, and an explanation of the challenges.ģ. “In 2019, we should begin seeing more adoption of interactive email features as content and design functionality emerge natively within email platforms to allow email marketers to more easily integrate them into daily campaigns.” “We rarely see these interactive tactics fully integrated into a brand’s overall experience,” she says, adding that they tend to be one-off campaigns. Check out the Email and its code in Litmus Scopeĭarling from Adobe says interactive experiences like that will become more common this year. The conversion point is in the email when they click “Submit Review.” The landing page is only used to confirm the review submission. For instance, Home Depot and Etsy now have interactive product review request emails where subscribers select their rating (1 to 5 stars) and type their review into the email. I doubt this will take off in 2019, but we’ll see.”īut even without grabbing that holy grail, brands are creating more engaging and frictionless experiences by using interactivity. “Once we have 1-click purchasing in email, where email can retain my logged in state for a shop, then we will see a shift in money, talent, and tech into email. “I want to see real-time ecommerce in email, but I don’t think the tech is ready for it yet,” says Matthew Smith, Co-Founder of Really Good Emails. The ultimate promise of interactivity-the ability to check out in an email-is part of what’s continuing to drive this trend. Creating interactive email experiencesįalling one spot, interactive emails are still high on marketers’ priority list for 2019. These features will allow email marketers to more effectively create experiences that speak to our customer’s interests, behaviors, intentions, motivations, and next-steps.”ĪI and machine learning is our third biggest email design trend of 2019, but first let’s talk about… 2. “Artificial Intelligence features, like predictive fatigue or predictive offers, will begin to be woven into every aspect of a campaign process. “Email marketers will continue to become more comfortable using artificial intelligence and machine learning features to help scale their campaigns,” says Bridgette Darling, Product Marketing Manager, Adobe Campaign. The focus on dynamic content is in part due to the rise of AI-driven personalization, which allows tailored email content on a scale and level of granularity that’s otherwise impossible. 2 spot last year, personalization came out on top this year. Focusing more on personalization and dynamic contentĪfter coming in at the No. Let’s discuss each of these 13 email design trends in more detail: 1. To bring some perspective to these email design trends, we reached out to our friends at Action Rocket, Campaign Monitor, Trendline Interactive, Oracle, Really Good Emails, Yes Marketing, and Adobe. The other eight email design trends that we asked marketers about received a bit less enthusiasm, although they’re all still likely to be important this year. The next tier of email design trends included using more AI-driven content, using more live content, and simplifying email designs. For the second year in a row, those two email design trends stood out above all others, according to a Litmus poll of more than 240 marketers. This year you can expect to see more personalized emails, as well as more interactive emails. Enterprise Plan Boost collaboration and drive results.Litmus Plus Automate testing to ensure quality.Litmus Basic Build error-free, effective emails quickly.All Plans See solutions for companies of all sizes. |
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